
How to Build an Email List for Your Film
A practical, permission-based process for turning existing interest in a finished film into a launch list you can actually use.

Founder, Tribushare
Ben Lachaise Wiener is a Paris-based producer and the founder of SYLOE GROUP. After 15+ years producing film, TV and immersive content, he built Tribushare so independent filmmakers could sell their films online, directly to their audience.
Tribushare grew from a recurring release problem: a finished film could have festival attention, backers or an existing community, and still lack one dependable place where those people could pay and watch. His focus is the infrastructure between a finished film and the audience its filmmaker can already reach.

A practical, permission-based process for turning existing interest in a finished film into a launch list you can actually use.

A U.S.-focused guide to human authorship, AI material, rights records, and the questions to resolve before selling an AI-assisted film.

Build the rights file, choose the right release path, prepare delivery materials, and market an AI-assisted film without making unsupported claims.

Choose a release model, measure season economics, and decide when a direct sale makes sense for a vertical series.

A practical map of distributors, aggregators, streaming services, free video, direct storefronts, and the job each one performs.

A practical way to model the revenue, platform dependence, and real contribution margin of a short-form drama series.

Understand the major video-on-demand models and choose one based on audience, catalog, window, price, and control.

Compare sponsorship, direct sales, ads, subscriptions, and licensing based on the audience and release cadence of your series.

Compare Vimeo OTT with a direct film storefront based on catalog size, subscriptions, branded apps, fees, and the audience you already have.

A practical guide to partner links, attribution, disclosure, payouts, and deciding whether film affiliates are worth the work.

Compare film revenue models with the same inputs: rights, reachable audience, price, variable costs, workload, and cash timing.

Choose between direct viewing sales, community screenings, educational licensing, grants, sponsors, and platform deals.

Vimeo On Demand closes on November 20, 2026. How to choose a Vimeo On Demand alternative, and what to export, rebuild and tell your viewers first.

Start with identifiable communities and direct paths to the film before paying for broad reach. A practical promotion plan without invented benchmarks.

There is no honest universal revenue benchmark. Build a projection from reachable buyers, price, fees, refunds, and the evidence from your own release.

Choose a defensible starting price from the offer, audience, viewing terms, and fees, then improve it with evidence from your own buyers.

A practical month-long plan to self-distribute a finished film, for filmmakers who hold the rights and have people they can invite to watch.

A free host, an aggregator, an OTT service, and a direct film storefront solve different problems. Choose from the audience and release you actually have.

Turn the attention around screenings and Q&As into one clear viewing destination, without treating festival selection as a sales plan.